Cut the little sliver of audio, then copy and paste the “good” sliver of audio from somewhere else in its place. If you’re trying to save a recording with a plosive in it and you’re not able to re-record the part, you can use the ol’ cut, copy, and paste method.įind the plosive syllable and see if you can replace it with a non-plosive syllable from somewhere else in the song. Here are a few plugins and methods you can use to reduce or remove plosives (and any weird sounds).
The good news is that there are post-production fixes for this problem. Maybe you didn’t notice it during recording, or maybe you only realized there was a subtle plosive after you mastered the track. Unfortunately, sometimes plosives still end up in the recording, despite everyone’s best efforts. Methods And Plugins That Help Remove Plosives And Unwanted Sounds
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That’s why it’s crucial to know how to properly record vocals. If the plosive never hits the mic, there’s no editing to do after the fact, and even that can fully remove it. Simply put, the best anti-plosive method is prevention. So how do you avoid them in the first place? How To Keep Plosives Out Of Your Recording Plosives are unacceptable if you want your song to be industry level.
It doesn’t sound good or professional, and it can also make the input levels peak.
Once that blast of air hits the mic, you can’t simply remove it in post production. Plosives usually involve Ps, Bs, Fs, CHs, and others. It’s when a vocalist sings something that causes a shot of air to leave the mouth, hitting the mic. If you forget what a plosive is, just think “explosive.” This is what it sounds like in the recording. In this post, I’ll go over what plosives are, how to keep them out of your recording, and a few methods and plugins that can help reduce these unwanted sounds. If there are plosives in your track, that could ruin the whole experience. There are certain things that separate great tracks from clearly amateur tracks.
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